‘That’s the Origin of beer
how Kaleva’s brew began;
that’s how it got its good name
it’s famous honour—
being a good sort
a good drink for the well-bred:
it put smiles on women’s lips
men in good spirits
the well-bred making merry
but the mad leaping about.’
—Rune XX: Slaughtering and Brewing, The Kalevala
“Take off the hat”
is a command that cannot under any circumstances
be followed.
It was a New York City elevator
I was Korean, from the Republic, military-salted
but diminutive.
He was a black man super-size like they make them only in America
with a friend
stern-staring me down beneath Yankees caps.
I wore the Boston’s B backwards
insouciant I thought
“We’re bickering about baseball?”
Decades past in the peninsular tug of war with the reds
his grandfather helped my grandfather get his shrapnel-spilled
guts in order.
They passed hard-knock nights on the hill in captivity
dirt in the belly
shook hands having cordoned a country.
It was the integration war and the last consensus war
the liberation war
everything was at stake.
Now we’re free to wear stickers on our head-wear
but still can’t give no quarter
to “I said take off the hat, man” there’s only one answer.
Having a good time,
Really isn’t as easy,
As one might think.
When your chin is zitted,
Your city smogged,
When your ears are too big for your face,
And your lips too small.
You want Angelina Jolie lips,
Features of an amazon.
The boys call ‘em,
Dick sucking lips,
But you want them anyway,
They’re juicy beautiful and,
Well, why not?
It’s nice to be sultry,
To crumble ‘em to their knees,
And be likewise crumbled,
Just to stand there,
Legs slightly apart,
An alabaster alter,
“While you’re down there…”
Not that I know what it’s like,
The closest I got’s this pen, these pages,
And an overeager imagination,
But poetry’s no compensation,
No, having a good time,
Really isn’t as easy,
As one might hope.
— Charles Simic, NYR, Where is Poetry Going?
Kiss-me-quick toes,
giantess arches,
gorgonzola veins:
endless delectations.
*(spoilers)*
“Sometimes I get lonely
sleeping with you,” she said.
“Just great,” I said, “Just great.”
I was already lost.
She was the kind of girl
that would sleep with anyone,
I was mediocre,
but okay about it.
It was improbable
that such a person as
myself could be living,
that such a relation
as ours could last for long.
Another girl, with an
auricular something,
“You know nothing,” she said,
“For sure,” I said, “For sure.”
On a wild sheep chase,
ovine totemism,
a vital dynamo,
a fixed point in time-space.
points have no names, nor selves,
sheep have both,
a Will, a whip, a host,
scourging blood for weakness.
“People are weak” I said.
“You don’t know this thing,” he said,
gangrene rot worsening,
“That exists in the world.”
“Where’s the time go?” she asked,
we were close then, closer
than ever, before the end.
“Time adds up for us,” I said,
“But it does not expand.”
No, time does not expand.
time trails off into death,
darkness alone shifting,
like mercury motion,
voiceless snow falling soft,.
Getting back, to normal,
on a cold, concrete sea,
all alone with the dead,
and ears to hear the waves.
This is from the text, more a tessellation of quotes than novel effort.
Flipping felines yowl
“Copycat me pussy!”
With sure celerity
“I never fall afoul.”
Inflect the banal,
inflect it with tinges of color, corruption, doubt, impossibility,
capture the conservatives and the dreamers,
seduce them with the almost-imperceptible,
tangent to the known and knowable,
the distorted prosaic.
Inflect the banal,
but don’t over-do it,
don’t spew florid particulars,
don’t bask in wonderment,
don’t succumb to bombast,
don’t asphyxiate with love.
Inflect the banal,
tickle the imagination,
kiss it lightly,
slither a razor blade over it,
reserve the cat o’ nine tails,
for special occasions.
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